the land where season never ends !

The 'Kalari', where the training in 'Kalaripayatt' in given, is a specially constructed practicing ground. The 'Kalari' is treated as the 'temple of learning'. Religious worship with its own rituals is also done inside the Kalari. The person who imparts the combat  training is referred as 'Gurukkal', meaning 'Master' and is reverred as the living embodiment of the long line of Guru's.

The 'Kalaripayatt' training consists of rigorous physical training besides training in self-discipline. The weapons used are the Sword, Shield, Dagger, Spear and 'Kuruvadi's (short sticks). The training actually aims at the complete co-ordination of the mind & body.

The traditional training of Kalaripayatt includes specialised and indigenous medical preparations and methods of treatment. The old masters of Kalaripayatt have developed specialised treatments for Kalari-related injuries. (cuts, bruises, fractures etc.) These treatments are known as 'Kalari Chikilsa'. Kalarichikilsa is given by the 'Gurukkal' to persons who are trustworthy, skilful and devoted to the study of 'Kalarippayatt'. There is also a special system of full-body oil-massage known as the 'Uzhichil', which is used as an aid to attain greater suppleness of the body. Specially prepared medicated oils are used for the 'Uzhichil'.

Marma Chikilsa (vital  treatment) is one of the most important forms of kalari treatments. This method is used to treat the injuries caused on the vital regions of the human body, which may even lead to death. The Marma Chikilsa can be done by only a person with thorough knowledge of all the vital spots of the human body.

Kalarippayatt has contributed to the traditional art and dance forms of Kerala, like the Kathakali, Koodiyattam etc. "Kathakali" has drawn elements from Kalaripayatt in its physical training and body massage for the   trainee.

Though Kalaripayatt has been on a decline in the past century, it has staged a come-back thanks to the efforts by various 'Kalari Sanghams' headed by the masters of the art.